review by Emma Nelms
Gypsy Soul at Brisbane
Powerhouse 28 February-2 March 2003
Brisbane’s warm summer continues, a sultry evening,
the odd patter of rain and there I was beneath the
clouds at the Brisbane Powerhouse’s outdoor stage on a
lush lawn by the river. The Gypsy Soul show at
the inaugural World Beat festival promised to be
amazing. Brisbane band Doch
already have a strong local following of shimmying,
velvet clad groupies and they were just the supporting
number for 2002 ARIA award winning (for World Music
Album of the Year) Monsieur
Camembert.. Neither makes background music unless
your life is a Romany inspired musical epic and you’re
an alcoholic.
Doch’s music is a frenetic and
very brassy mix of Eastern European Romany rhythms,
think a wild gypsy wedding at about midnight when the
dancers go mad under the influence of several hours of
heavy drinking. An eight piece ensemble consisting of
clarinets, piano accordion , violin, trumpet, banjo,
double bass, drums, Cajon & percussion and
occasionally tuba, Doch are
loud, brassy and brazen but on this occasion, with a
somewhat hard almost rock music edge. They are very
intense and in this locale, it was hard to immediately
get intense, I was in picnic mode; intrigued by and
challenged over my potato chips by the music’s fury.
Clarinets screamed, the violin was electrified, the
double bass was well worked and the trumpet was divine.
By contrast Monsieur
Camembert. have a certain lucidity and
sophistication that gave them a definite edge. They have
a more eclectic repertoire of Eastern Jazz, gypsy music
and most particularlyKlezmer numbers. Where Doch
raged, Camembert swinged, their music rollicked and
rolled, nicely negotiating fiery vivacity with
sensuality and humour. Particularly fascinating is the
insight it offers to the origins of conventional Western
Jazz in Eastern and Klezmer music, fusing the
characteristic twang of middle-eastern wind instrument
with more familiar jazz beats. On their live CD a
didgeridoo is used, emphasising the dynamic and
innovation of the group as does the tuneful and jokey
number “Istanbul”. Like Doch, they can be frantic and
fast too, but this is usually an accumulated, crafted
build up than a sustained roar.
In their second set the ensemble, incorporating
accordion, guitar, trumpet, clarinet and double bass led
by charismatic Yaron Hallis, moved on to more dance
numbers allowing a large number to wiggle and waggle
with all the innovation and sensuality that this joyous
music enables. However Camembert managed some very soft
moments too, reminding me of the tender eccentricity
evoked by Yann Tiersen in his music for the
Amelie soundtrack.
As a double act, Doch and Monsieur Camembert
complimented each other well though possibly in the
latter’s favour – no doubt a promise of the direction
Doch is moving. Beneath the stars of sultry Brisbane
night, the crowd danced under the influence of these
remarkable bands each one happily haunted for the while
with a gypsy soul.
Details
Doch Doch
features: Rebecca Craner, Tom Raymond, Michael
Patterson, Michael Rogers, Nick Lavers, Jane McEniery,
Will Eager and Tom Donaldson
Monsieur
Camembert. features: Yaron Hallis, Svetlana Bunic,
Julian Curwin, Edouard Bronson, Vladimir Khusid and
Michael Lira
All at Brisbane
Powerhouse inaugural World Beat Festival. with Chris
Bowen producer